Wednesday, October 09, 2019

Will Cancel Culture Demand That Mount Rushmore Be Destroyed Since The Sculptor Was Tied to the KKK ?

The Smithsonian Magazine reports:
Each year, two million visitors walk or roll from the entrance of Mount Rushmore National Memorial, in South Dakota, to the Avenue of Flags, to peer up at the 60-foot visages of George Washington, Thomas Jefferson, Abraham Lincoln and Teddy Roosevelt. Dedicated 75 years ago this month, Mount Rushmore was intended by its creator, Gutzon Borglum, to be a celebration of not only these four presidents but also the nation’s unprecedented greatness. “This colossus is our mark,” he wrote with typical bombast. Yet Borglum’s own sordid story shows that this beloved site is also a testament to the ego and ugly ambition that undergird even our best-known triumphs.

In 1914, Borglum was a sculptor in Connecticut of modest acclaim when he received an inquiry from the elderly president of the United Daughters of the Confederacy, C. Helen Plane, about building a “shrine to the South” near Atlanta. When he first glimpsed “the virgin stone” of his canvas, a quartz hump called Stone Mountain, Borglum later recalled, “I saw the thing I had been dreaming of all my life.” He sketched out a vast sculpture of generals Robert E. Lee and Stonewall Jackson, and was hired.

The son of polygamist Mormons from Idaho, Borglum had no ties to the Confederacy, but he had white supremacist leanings. In letters he fretted about a “mongrel horde” overrunning the “Nordic” purity of the West, and once said, “I would not trust an Indian, off-hand, 9 out of 10, where I would not trust a white man 1 out of 10.” Above all, he was an opportunist. He aligned himself with the Ku Klux Klan, an organization reborn—it had faded after the Civil War—in a torch-light ceremony atop Stone Mountain in 1915. While there isn’t proof that Borglum officially joined the Klan, which helped fund the project, “he nonetheless became deeply involved in Klan politics,” John Taliaferro writes in Great White Fathers, his 2002 history of Mount Rushmore.



Will the cancel culture condemn this in all of its' Maoist glory?